Showing posts with label Sheaths. Show all posts
Showing posts with label Sheaths. Show all posts

Tuesday, May 28, 2019

Ānandamaya-Kośa | The Sheath of Bliss

Anandamaya-Kosha

Ānandamaya-Kośa (IAST)
Translation: "The Sheath of Bliss"

A Concise Dictionary of Indian Philosophy
Sanskrit: आनन्दमयकोश
Transliteration: Ānandamaya-Kośa
Translation: "the sheath of bliss"
Definition:
  1. The innermost of the five sheaths enveloping the self.
  2. Truly speaking it is infinite, transcendent, and perfect and not really a sheath, according to some schools, but the very essence of the self.
  3. It is also known as the causal body (Karaṇa-Śarīra), according to Advaita Vedānta.

Glossary to the Record of Yoga (Sri Aurobindo)
Ānandakośa (Anandakosha; Ananda-Kosha) — the sheath (Kośa) corresponding to the plane of Ānanda, the “bliss-sheath” which is the spiritual body of the “bliss soul” and in which, together with the Vijñāna-Kośa, “all the perfection of a spiritual embodiment is to be found, a yet unmanifested divine law of the body”.

Ānandamaya (Anandamaya; Anandamay) — full of or consisting of Ānanda; joyous, delightful, blissful, beatific; characterized by an equal delight (Sama Ānanda) in all experiences; having the nature of pure Ānanda of Saccidānanda, or of the principle of Ānanda involved in or subordinated to the principle of another plane, such as the physical, mental, etc.; (“the Anandamaya”) the All-Blissful, short for Ānandamaya Īśvara or Ānandamaya Puruṣa; the third degree of the third intensity of Kṛṣṇdarśana, a kind of vision of the divine Personality corresponding to Ānandaṃ Brahma in the impersonal Brahmadarśana.

Ānanda — delight, bliss, ecstasy, beatitude; “a profound concentrated intense self-existent bliss extended to all that our being does, envisages, creates, a fixed divine rapture”; same as Sama Ānanda, the universal delight which constitutes active/positive Samatā, “an equal delight in all the cosmic manifestation of the Divine,” whose “foundation is the Atmajñāna or Brahmajñāna by which we perceive the whole universe as a perception of one Being that manifests itself in multitudinous forms and activities”; the highest of the three stages of active/positive Samatā, “the joy of Unity” by which “all is changed into the full and pure ecstasy” of the Spirit; the third and highest state of Bhukti, consisting of the delight of existence experienced “throughout the system” in seven principal forms (Kāmānanda, Premānanda, Ahaituka Ānanda, Cidghanānanda, Śuddhānanda, Cidānanda, and Sadānanda) corresponding to the seven Kośa or sheaths of the being and the seven Lokas or planes of existence; physical Ānanda or Śārīrānanda in its five forms, also called Vividhānanda (various delight), the fourth member of the Śārīrā Catuṣṭaya; (especially in the plural, “Anandas”) any of these forms of Ānanda; same as Ānandaṃ Brahma, the last aspect of the fourfold Brahman; bliss of infinite conscious existence, “the original, all-encompassing, all-informing, all-upholding delight”, the third aspect of Saccidānanda and the principle manifested in its purity in Janaloka or Ānandaloka, also present in an involved or subordinated form on every other plane."


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Hartz, Richard. Glossary to the Record of Yoga (Sri Aurobindo). Retrieved from http://wiki.auroville.org.in/wiki/Glossary_to_the_Record_of_Yoga

Vijñānamaya-Kośa | The Sheath of the Intellect

Vijnanamaya-Kosha

Vijñānamaya-Kośa (IAST)
Translation: "The Sheath of the Intellect"

A Concise Dictionary of Indian Philosophy
Sanskrit: विज्ञानमयकोश
Transliteration: Vijñānamaya-Kośa
Translation: "the sheath of the intellect"
Definition: "It is located within the mental sheath (Manomaya-Kośa). These two, together with the Prāṇamaya-Kośa, constitute the subtle body."

Sanskrit: विज्ञान
Transliteration: Vijñāna
Translation: "wisdom; cognition; intellect, consciousness; stream of consciousness (from the verb root jñā – "to know" + vi – "apart," hence, "to discern")"
Definition:
  1. One of the twelve links in the causal chain of existence (Pratītyasamutpāda).
  2. One of the five aggregates (Skandha.)
  3. The intellect. It is also called Buddhi.

Glossary to the Record of Yoga (Sri Aurobindo)
Vijñānakośa (Vijnanakosha; Vijnana-Kosha) — the sheath (Kośa) corresponding to Vijñāna, “the knowledge-sheath, the causal [Kāraṇa] body,” by living in which the human being “will be able to draw down entirely into his terrestrial existence the fullness of the infinite spiritual consciousness.”

Vijñānamaya (Vijnanamaya; Vijnanamay) — supra-intellectual; having the nature of Vijñāna, the principle that links Saccidānanda to mind, life and matter and is revealed through the faculties of Smṛti, Śruti and Dṛṣṭi; expressing the principle of Vijñāna involved in or subordinated to the principle of another plane, such as the physical or mental.

Vijñāna (Vijnana; Vijnanam; Vijnan) — “the large embracing consciousness . . . which takes into itself all truth and idea and object of knowledge and sees them at once in their essence, totality and parts or aspects,” the “comprehensive consciousness” which is one of the four functions of active consciousness (see Ājñānam), a mode of awareness that is “the original, spontaneous, true and complete view” of existence and “of which mind has only a shadow in the highest operations of the comprehensive intellect;” the faculty or plane of consciousness above Buddhi or intellect, also called ideality, gnosis or supermind (although these are distinguished in the last period of the Record of Yoga as explained under the individual terms), whose instruments of knowledge and power form the Vijñāna Catuṣṭaya; the Vijñāna Catuṣṭaya itself; the psychological principle or degree of consciousness that is the basis of Maharloka, the “World of the Vastness” that links the worlds of the transcendent existence, consciousness and bliss of Saccidānanda to the lower Triloka of mind, life and matter, being itself usually considered the lowest plane of the Parārdha or higher hemisphere of existence. Vijñāna  is “the knowledge of the One and the Many, by which the Many are seen in the terms of the One, in the infinite unifying Truth, Right, Vast [Satyam Ṛtaṃ Bṛhat] of the divine existence”.


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Hartz, Richard. Glossary to the Record of Yoga (Sri Aurobindo). Retrieved from http://wiki.auroville.org.in/wiki/Glossary_to_the_Record_of_Yoga

Monday, May 27, 2019

Manomaya-Kośa | The Sheath of Mind / The Mental Sheath

Manomaya-Kosha

Manomaya-Kośa (IAST)
Translation: "The Sheath of Mind / The Mental Sheath"

A Concise Dictionary of Indian Philosophy
Sanskrit: मनोमयकोश
Transliteration: Manomaya-Kośa
Translation: "the sheath of the mind; the mental sheath"
Definition: "It is part of the subtle sheath (Sūkṣma-Śarīra), with its patterns of desires, motives, etc., which form the complex called mind. It is the third sheath of the body composed of thought."

Glossary to the Record of Yoga (Sri Aurobindo)
Manaḥkośa (Manahkosha; Manah-Kosha) — the sheath (Kośa) composed of mental substance, “the mental sheath or subtle body in which our true mental being [Manomaya Puruṣa] lives”.

Manomaya — mental; mental activity; the mental being; the mental plane.

Manomaya Puruṣa (Manomaya Purusha) — “the Soul on the mental level”, the Puruṣa as a mental being “in whose nature the clarity and luminous power of the mind acts in its own right independent of any limitation or oppression by the vital or corporeal instruments”; the “Spirit poised in mind” which “becomes the mental self of a mental world and dwells there in the reign of its own pure and luminous mental Nature”.


Reference:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Hartz, Richard. Glossary to the Record of Yoga (Sri Aurobindo). Retrieved from http://wiki.auroville.org.in/wiki/Glossary_to_the_Record_of_Yoga

Prāṇamaya-Kośa | The Sheath of Vital Air

Pranamaya-Kosha

Prāṇamaya-Kośa (IAST)
Translation: "The Sheath of Vital Air"

A Concise Dictionary of Indian Philosophy
Sanskrit: प्राणमयकोश
Transliteration: Prāṇamaya-Kośa
Translation: "the sheath of vital air"
Definition: "The second sheath encasing the body, with its instrumentality of vital airs and the nervous system. It is located within the physical sheath. It is permeated by mental, consciousness, and bliss sheaths."

Sanskrit: प्राण
Transliteration: Prāṇa
Translation: "vital air; life breath; vitality (from the verb root an – “to breath” + pra – “forth”)"
Definition:
  1. It is that air which is perceptible in the mouth and nostrils. Or, it is the principle of vitality in the individual organism, whereby it is said to be all-pervading, invisible, and the life duration of all.
  2. The five vital airs (Prāṇa) are known as Prāṇa, the air which rises upwards; Apāna, that which moves downwards; Vyāna, that by which these two are held; Samāna, that which carries the grosser material of food to Apāna and brings the subtler material to each limb; and Udāna, that which brings up or carries down what has been drunk or eaten.

Glossary to the Record of Yoga (Sri Aurobindo)
Prāṇakośa (Pranakosha; Prana-Kosha) — the sheath (Kośa) composed of life-energy (Prāṇa), “the life sheath or vital body” through which “the life-world [Prāṇajagat] enters into relations with us”; it is “closely connected with the physical or food-sheath [Annakośa] and forms with it the gross body [Sthūla Deha] of our complex existence”.

Prāṇamaya (Pranamaya; Pranamay) — consisting of Prāṇa; nervous, vital; the vital plane.

Prāṇa — (literally) breath, “the breath drawn into and thrown out from the lungs and so, in its most material and common sense, the life or the life-breath;” the physical life-energy (Sthūla Prāṇa); the “essential life force” (Mukhya Prāṇa) which is said “to occupy and act in the body with a five-fold movement;” any one of the five workings of the vital force (Pañca-Prāṇa), especially the first of the five, associated with respiration, which “moves in the upper part of the body and is pre-eminently the breath of life, because it brings the universal Life-force into the physical system and gives it there to be distributed;” the vital being or Sūkṣma Prāṇa; the vital principle, the second of the three principles of the Aparārdha, “a middle term between Mind and Matter, constituent of the latter and instinct with the former,” being in its nature “an operation of Conscious-Force [Cit-Tapas] which is neither the mere formation of substance nor the operation of mind with substance and form as its object of apprehension,” but “rather an energizing of conscious being which is a cause and support of the formation of substance and an intermediate source and support of conscious mental apprehension.”

Kundalini: The Secret of Yoga (Gopi Krishna)
"The sympathetic and parasympathetic gangliated chains, the spinal cord, the reproductive system, and the brain are the greatest repositories of Prāṇa, or the organic vital essence in the body. This subtle organic medium is spread in every cell and part of the body, and functions as the connecting link between the superphysical cosmic Prāṇa and the flesh. The term Prāṇa repeatedly mentioned in the books on Kuṇḍalinī-Yoga, usually refers to this subtle organic medium, the bridge between spirit and matter. In the living body this medium is manipulated by cosmic intelligence residing in the immaterial universal Prāṇa or Prāṇa-Śakti. The marvelous functioning of the organic bodies, the cyclical memory of the genes, and the efficiency of the reproductive mechanisms, which stagger the intellect, depend on the superhuman intelligence present in the universal Prāṇa, the Source of all life in the cosmos. Cosmic Prāṇa exists as a boundless universe of conscious energy, as an invisible self-generated all-pervasive current of intelligent electricity of illimitable power and unlimited speed, which, coming within the range of internal perception of the Awakened Man, brings into his consciousness other universes and other subtle energies that go into the making of this marvellous creation, whereof only an infinitesimal part is apprehended generally, by man with all his senses and intelligence."

Lessons on the Upanishads (Swami Krishnananda)
"...Prāṇa is operating because of the thoughts of the mind. We can direct the Prāṇa, or the energy, in different directions by the concentration of thought of the mind. If the mind thinks only of one particular thing, the pranic energy is directed to that particular thing only."

"There are five Prāṇa. The Prāṇa, or the vital energy in us, operates in five ways. When we breath out, expel the breath, the Prāṇa is active. When we breath in, when we inhale the breath, the Apāna is active. The Vyāna is the third form of the operation of this energy. It causes circulation of blood and makes us feel a sensation of liveliness in every part of the body. The operative action of the bloodstream is pushed onward in a circular fashion throughout the body by the action of a particular function of Prāṇa called Vyāna. There is another action of the Prāṇa, which is Udāna. It causes the swallowing of food. When we put food in the mouth, it goes inside through the epiglottis and it is pushed down by the action of a Prāṇa called Udāna. Udāna has also certain other functions to perform; it takes us to deep sleep. Our Jīva consciousness, our individualized consciousness, is pushed into a state of somnolence. That also is the work of Udāna. Udāna also has a third function to perform, namely, the separation of the vital body from the physical body at the time of death. Three actions, three performances are attributed to Udāna. The fifth Prāṇa, Samāna, operates through the navel region and causes the digestion of food. It creates heat in the stomach and in the navel region, causing the gastric juices to operate, and so we feel appetite. Hunger is created, and food is digested by the action of Samāna. Thus, there are five Prāṇa: Prāṇa, Apāna, Vyāna, Udāna, and Samāna."

The Science of Pranayama (Swami Sivananda)
"“He who knows Prāṇa knows Vedas” is the important declaration of the Śruti. You will find in Vedānta Sūtra: “For the same reason, breath is Brahman.” Prāṇa is the sum total of all energy that is manifest in the universe. It is the sum total of all the forces in nature. It is the sum total of all latent forces and powers which are hidden in men and which lie everywhere around us. Heat, light, electricity, magnetism are the manifestations of Prāṇa. All forces, all powers, and Prāṇa spring from the fountain or common source, ‘Atman’. All physical forces, all mental forces come under the category ‘Prāṇa’. It is force on every plane of being, from the highest to the lowest. Whatever moves or works or has life, is but an expression or manifestation of Prāṇa. Ākāśa or ether also is an expression of Prāṇa. The Prāṇa is related to mind and through mind to will, and through will to the individual soul, and through this to the Supreme Being. If you know how to control the little waves of Prāṇa working through the mind, then the secret of subjugating universal Prāṇa will be known to you. The Yogi who becomes an expert in the knowledge of this secret, will have no fear from any power, because he has mastery over all the manifestations of powers in the universe.

This working of Prāṇa is seen in the systolic and diastolic actions of the heart, when it pumps the blood into arteries in the action of inspiration and expiration during the course of breathing; in the digestion of food; in the excretion of urine and faecal matter; in the manufacture of semen, chyle, chyme, gastric juice, bile, intestinal juice, saliva; in closing and opening of the eyelids, in walking, playing, running, talking, thinking, reasoning, feeling and willing. Prāṇa is the link between the astral and physical body. When the slender thread-link Prāṇa is cut off, the astral body separates from the physical body. Death takes place. The Prāṇa that was working in the physical body is withdrawn into the astral body.

This Prāṇa remains in a subtle, motionless, unmanifested, undifferentiated state during the cosmic Pralaya. When the vibration is set up, Prāṇa moves and acts upon Ākāśa, and brings forth the various forms. The macrocosm (Brahmanda) and microcosm (Pindanda) are combinations of Prāṇa (energy) and Ākāśa (matter).

Prāṇavadins or Haṭha Yogis consider that Prāṇa Tattva is superior to Manas Tattva, the mind-principle. They say, Prāṇa is present even when the mind is absent during sleep. Hence Prāṇa plays a more vital part than the mind. If you go through the parables in Kaushitaki and Chāndogya Upaniṣad, when all the Indriya, mind and Prāṇa fight amongst themselves as to their superiority, you will find that Prāṇa is regarded as the highest of all. Prāṇa is the oldest, for it starts its functioning from the very moment the child is conceived. On the contrary, the organs of hearing, etc., begin to function only when their special abodes, viz., the ears, etc., are formed. Prāṇa is called Jyeshtha and Sreshtha (oldest and best) in Upaniṣad. It is through the vibrations of psychic Prāṇa that the life of the mind, Saṅkalpa or thinking is kept up and thought is produced. You see, hear, talk, sense, think, feel, will, know, etc., through the help of Prāṇa and therefore Śruti declare: “Prāṇa is Brahman.”

Seat of Prāṇa
The seat of Prāṇa is heart. Though the Antaḥ-Kāraṇa is one, yet it assumes four forms, viz., (i) Manas, (ii) Buddhi, (iii) Citta and (iv) Ahaṅkāra according to the different functions it performs. Likewise, though Prāṇa is one, it assumes five forms viz., (1) Prāṇa, (2) Apāna, (3) Samāna, (4) Udāna and (5) Vyāna according to the different functions it performs. This is termed as Vṛtti Bheda. The principal Prāṇa is called Mukhya Prāṇa. The Prāṇa, joined with Ahaṅkāra, lives in the heart. Of these five, Prāṇa and Apāna are the chief agents. The seat of Prāṇa is the heart; of Apāna, the anus; of Samāna, the region of the navel; of Udāna, the throat; while Vyāna is all-pervading. It moves all over the body.

Sub-Prāṇa and Their Functions
Naga, Kurma, Krikara, Devadatta and Dhananjaya are the five sub-Prāṇa. The function of Prāṇa is respiration; Apāna does excretion; Samāna performs digestion; Udāna does deglutition (swallowing of the food). It takes the Jīva to sleep. It separates the astral body from the physical body at the time of death. Vyāna performs circulation of blood. Naga does eructation and hiccup. Kurma performs the function of opening the eyes. Krikara induces hunger and thirst. Devadatta does yawning. Dhananjaya causes decomposition of the body after death. That man is never reborn, whenever he may die, whose breath goes out of the head, after piercing the Brahma Randhra.

The Colour of Prāṇa
Prāṇa is said to be of the colour of blood, red gem or coral. Apāna which is in the middle, is of the colour of Indragopa (an insect of white or red colour). Samāna is of the colour between that of pure milk or crystal or of oily and shining colour, i.e., of something between both Prāṇa and Apāna. Udāna is of Apandura (pale white) colour and that of Vyāna, resembles the colour of Archil (or that of ray of light)."

The Upanishads: Volume I (Swami Nikhilananda)
"Two frequently used symbols of Brahman in the Upanishads are Prāṇa and Vāyu. The word Prāṇa, often inadequately translated as "breath," is used in a variety of ways. It denotes the vital organs, the breathing, and also the life principle which animates the vital organs. It is identical with Vāyu, the wind, which is the vital breath of the universe. Of Vāyu, the cosmic breath, the breath of the individual is a partial manifestation. As in the case of the fly-shuttle in a textile mill, when the Prāṇa begins to work, all the organs work. The body of an organic being lives as long as the Prāṇa inhabits it. All the organs are dependent upon the Prāṇa. "As bees go out when their queen goes out, and return when she returns, thus deed, speech, eye, mind, and ear follow the Prāṇa." "As the spokes of a wheel hold to the nave, so does all this hold to the Prāṇa." Relinquished by the Prāṇa, a living being is reduced to a corpse, without value or significance. The Chhāndogya Upanishad, quoted above, says that a man must not treat roughly his father or mother, or sister or brother or teacher; if he does so he is condemned by all. But after the Prāṇa has left them, their bodies, now corpses, may be struck even with a spear, as is done to a burning body on a funeral pyre.

Several Upanishads describe the rivalry of the organs to determine which one is supreme. Once, or example, the vital organs came to Prajāpati to learn which of them was essential to a living being. Prajāpati said: "He on account of whose departure the body seems worse than the worst—he is the best among you." The tongue (speech) departed. Having been absent for a year, it came back and asked: "How have you been able to live without me?" The organs replied: "Like mute people, not speaking, but breathing with the nose, seeing with the eyes, hearing with the ears, and thinking with the mind. Thus we lived." Then, one by one, the eyes, the ears, the mind, departed. But the body continued to live, like one blind, one deaf, or one whose mind, like that of an infant, is not yet formed. But—"the Prāṇa, when on the point of departing, tore up the other senses, as a horse, when he breaks loose, tears up the pegs to which he is tethered. They all came to him and said: "Sir, be thou our lord. Thou art the best among us. Do not depart from us."

Prāṇa is not only the life principle in the individual; it is also a cosmic principle. The Upanishads speak of the identity of the microcosm and the macrocosm: that which is manifest in the universe as a whole, with all its phenomena, finds complete expression in man as well. Thus it is said of a man that his head is heaven, his navel is the interspace, his feet the earth, his eyes the sun, his mind the moon, his mouth Indra and Agni, his ears the heavenly regions, and his Prāṇa the wind. Prāṇa, on account of its pervasiveness, is identified with Vāyu, the wind. Just as in the contest among the organs, the Prāṇa was declared to be the chief, so also in the contest among the gods—fire, the sun, the moon, and Vāyu, which are the cosmic equivalents of the organs—Vāyu came out supreme. For when all the gods became weary, Vāyu alone retained its energy. Other deities fade; but not so, Vāyu. Regarding Vāyu it is declared: "From which the sun rises and in which it sets." Prāṇa, as Vāyu, is identified with Hiranyagarbha, or Sutrātmā. "Through this Sutra, or Vāyu, this and the next life and all beings are held together." The senses, at the time of deep sleep, enter into the Prāṇa, and the deities, at the end of a cycle, into Sutrātmā, or the cosmic Prāṇa.

Thus, we find in the Upanishads that one of the most important symbols of Brahman is Prāṇa, the life principle that pervades and sustains the universe and the individual body. "Prāṇa is verily Brahman"—Prāno Vai Brahma."

The Upanishads: Volume IV (Swami Nikhilananda)

Chhāndogya Upanishads: Chapter 13, Verses 1-6
(Meditation on the Door Keepers)

  1. Of that heart there are five doors controlled by the Devas. That which is the eastern door is the Prāṇa (the air which rises upwards) — that is the eye, which is Aditya (the sun). One should meditate on that as brightness and the source of food. He who knows this becomes bright and an eater of food.
  2. That which is the southern gate is the Vyāna (that by which Prāṇa and Apāna are held) — that is the ear, which is Chandrama (the moon). One should meditate on that as prosperity and fame. He who knows this becomes prosperous and famous.
  3. That which is the western gate is the Apāna (that which moves downwards) — that is speech, which is Agni (fire). One should meditate on that as the radiance of Brahman and the source of food. He who knows this becomes radiant and an eater of food.
  4. That which is the northern gate is the Samāna (that which carries the grosser material of food to Apāna and brings the subtler material to each limb) — that is the mind, that is Parjanya (the rain—god). One should meditate on that as fame and beauty. He who knows this becomes famous and beautiful.
  5. That which is the upper gate is the Udāna (that which brings up or carries down what has been drunk or eaten) — that is Vāyu, which is the Ākāśa. One should meditate on that as strength and greatness. He who knows this becomes strong and great.
  6. These are the five servants of Brahman, the door-keepers of the world of heaven. He who thus knows these five servants of Brahman, the door-keepers of the world of heaven—in his family a hero is born. He who thus knows the five servants of Brahman, the door-keepers of the world of heaven, himself attains the world of heaven.


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Hartz, Richard. Glossary to the Record of Yoga (Sri Aurobindo). Retrieved from http://wiki.auroville.org.in/wiki/Glossary_to_the_Record_of_Yoga
  3. Krishna, Gopi (1972). Kundalini - The Secret of Yoga. Ontario, Canada: F.I.N.D. Research Trust. p. 173.
  4. Krishnananda, Swami (1991). Lessons on the Upanishads. Retrieved from https://www.swami-krishnananda.org/upanishad.html. p. 94, 99.
  5. Sivananda, Swami (2000). The Science of Pranayama. Uttar Pradesh, Himalayas: The Divine Life Society. p. 1-3.
  6. Nikhilananda, Swami (1949). The Upanishads: Volume I—Katha, Iśa, Kena, and Mundaka. New York, New York: Harper & Brothers Publishers. p. 83-85.
  7. Nikhilananda, Swami (1959). The Upanishads: Volume IV - Taittiriya and Chhāndogya. New York, New York: Harper & Brothers Publishers

Sunday, May 26, 2019

Annamaya-Kośa | The Sheath of Food

Annamaya-Kosha

Annamaya-Kośa (IAST)
Translation: "The Sheath of Food"

A Concise Dictionary of Indian Philosophy
Sanskrit: अन्नमयकोश
Transliteration: Annamaya-Kośa
Translation: "the sheath of food"
Definition: "It is the outermost sheath enveloping the individual soul. It is made of food and is also called the physical body or the gross body."

The Serpent Power (Arthur Avalon)
The Sthūla Śarīra, with its three Dośas, six Kośa, seven Dhatus, ten Fires, and so forth, is the perishable body composed of compounds of five forms of gross sensible matter (Mahābhūta), which is ever decaying, and is at the end dissolved into its constituents at death. This is the Vedantic body of food (Annamaya Kośa), so called because it is maintained by food which is converted into chyle (Rasa), blood, flesh, fat, bone, marrow and seed-components of the gross organism. The Jīva lives in this body when in the waking (Jagrat) state.


Reference:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Avalon, Arthur (1950). The Serpent Power: Being the Shat-Chakra-Nirūpana and Pādukā-Panchakā. Adyar, Madras: Ganesh & Co. (Madras) Ltd. p. 67.

Kośa | Sheath

Kosha

Kośa (IAST)
Translation: "Sheath"

A Concise Dictionary of Indian Philosophy
Sanskrit: कोश
Transliteration: Kośa
Translation: "sheath; cover; subtle body; treasury; lexicon (from the root kuś – "to enfold")"
Definition: "The individual self is enveloped within five subtle bodies: physical (Annamaya), vital (Prāṇamaya), mental (Manomaya), consciousness (Vijñānamaya), and bliss (Ānandamaya). Each sheath is within the previous one and, thus, they become subtler and subtler, one within the next."

सथूलशरीर – Sthūla-Śarīra (Gross Body)

अन्नमयकोश – Annamaya-Kośa (the sheath of food)
It is the outermost sheath enveloping the individual soul. It is made of food and is also called the physical body or the gross body. 

सूक्ष्मशरीर – Sūkṣma-Śarīra (Subtle Body)

प्राणमयकोश – Prāṇamaya-Kośa (the sheath of vital air)
The second sheath encasing the body, with its instrumentality of vital airs and the nervous system. It is located within the physical sheath. It is permeated by mental, consciousness, and bliss sheaths.

It is part of the subtle sheath (Sūkṣma-Śarīra), with its patterns of desires, motives, etc., which form the complex called mind. It is the third sheath of the body composed of thought.

विज्ञानमयकोश – Vijñānamaya-Kośa (the sheath of the intellect)
It is located within the mental sheath (Manomaya-Kośa). These two, together with the Prāṇamaya-Kośa, constitute the subtle body.

करणशरीर – Karaṇa-Śarīra (Causal Body)

आनन्दमयकोश – Ānandamaya-Kośa (the sheath of bliss)
  1. The innermost of the five sheaths enveloping the self.
  2. Truly speaking it is infinite, transcendent, and perfect and not really a sheath, according to some schools, but the very essence of the self.
  3. It is also known as the causal body (Karaṇa-Śarīra), according to Advaita Vedānta.

"What is Advaita Vedānta?" (James Schwartz)
"The non-apprehension of the self as oneself gives rise to five misconceptions about its nature. These misconceptions are called sheaths because they apparently hide the self and need to be removed if the self is to be apprehended as it is.

The most obvious misunderstanding we entertain about ourselves is that we are our gross bodies. The notions that ‘I am mortal,’ ‘I am fat,’ I am male/female’ indicate an association of the ‘I’ with the physical. Association of the ‘I’ with the physiological systems causes one to say, ‘I am hungry,’ ‘I am thirsty,’ when in fact the I, awareness, does not suffer these sensations. The universal statements, “I am happy,’ ‘I am sad,’ show that the I is taken to be the emotional body. When the intellect entertains the idea ‘I am a doer,’ ‘I am a knower’ it reinforces the belief in oneself as the body or mind. This idea is untrue because the self is non-dual actionless awareness. Finally, the I is commonly associated with enjoyment, the state of feeling good, which motivates endless activities. The self is not a feel good ‘state.’ It needn’t feel good because it is good, in the sense of what is always auspicious. So the sense of enjoyership is also illegitimate.

The application of this teaching follows a certain type of logic. First the self is introduced as the gross body, a common belief. Then it is shown that there is another subtler body, the feelings and emotions, which also are considered to be oneself. When one’s feelings are hurt one will instinctively say, “I was hurt by what she said.” This ‘self’ negates the previous self because for a self to be a self it cannot be two, modern theories of multiple personalities notwithstanding. The word ‘self’ means essence, that which is not made up of parts. Once the belief in oneself as the physical body is dropped and one accepts oneself as the emotional body, the teaching brings in the intellect ‘self’ which shows up in experience as the concept ‘I am the doer’...which is meant to remove the notion that one is only the feelings and emotions. When one can see that he or she thinks of his or herself as a doer and understands the limitation inherent in that concept, the idea of the bliss body is introduced. The ‘bliss body’ is responsible for pleasure and its companion concept ‘I am an enjoyer.’ The doer will give way to the enjoyer in every case because doing is for the sake of enjoying but enjoying is not for the sake of doing. Finally, the self is introduced as the source of bliss. Thus by tracing the ‘I’ concept from the gross to the subtle one is led to the self, the fundamental ‘I’. The realization of the whole and complete ‘I’ negates all the lesser selves, meaning one lets go of one’s belief in oneself as them and embraces the unlimited identity."

The Upanishads: Volume I (Swami Nikhilananda)
"Vedāntists analyze the material body into five Kośas, or sheaths, namely, the gross physical sheath (Annamayakośa), the sheath of the Prāṇa (Prāṇamayakośa), the sheath of the mind (Manomayakośa), the sheath of the Buddhi or intellect (Vijñānamayakośa), and the sheath of bliss (Ānandamayakośa). They are called sheaths because they conceal Ātman, as a sheath conceals a sword. They are described as being one inside another—the physical sheath being the outermost and the sheath of bliss the innermost. Each succeeding sheath is finer than the preceding one. As a fine substance permeates a gross one, so the finer sheath permeates the grosser sheath. Ātman is detached from the sheaths. Its light and consciousness permeate them all, though in varying degrees according to their density. By cultivating detachment toward these sheaths, one by one, and gradually penetrating deeper, a man realizes Ātman as Pure Consciousness."


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Swartz, James (2003). What is Advaita Vedanta? Experience and Knowledge. Retrieved from https://www.holybooks.com/what-is-advaita-vedanta-experience-and-knowledge/
  3. Nikhilananda, Swami (1949). The Upanishads: Volume I—Katha, Iśa, Kena, and Mundaka. New York, New York: Harper & Brothers Publishers. p. 91.

Kāraṇa-Śarīra | Causal Body

Karana-Sharira

Kāraṇa-Śarīra (IAST)
Translation: "Causal Body"

A Concise Dictionary of Indian Philosophy
Sanskrit: कारणशरीर
Transliteration: Kāraṇa-Śarīra
Translation: "causal body"
Definition:
  1. The sheath of bliss enveloped in ignorance, according to Advaita Vedānta.
  2. It is also called Ānandamaya-Kośa.

The Serpent Power (Arthur Avalon)
"The first or Causal Body of any particular Jīva, therefore, is that Prakṛti (Avidyā Śakti) which is the cause of the subtle and gross bodies of this Jīva which are evolved from it. This body lasts until Liberation, when the Jīvātman ceases to be such and is the Paramātman or bodiless Spirit (Videha-mukti). The Jīva exists in this body during dreamless sleep (Suṣupti). The second and third bodies are the differentiation through evolution of the causal body, from which first proceeds the subtle body, and from the latter is produced the gross body."

The Atman Project (Ken Wilber)
THE DHARMAKAYA: THE CAUSAL REALMS
"Beyond the high-subtle lies the causal region, known variously as the alaya-vijnana (Yogacara Buddhism), the ananda-mayakosa (Hinduism), pneuma (Christian mysticism), karana-sarira (Vedanta), Binah and Chokmah (Kabbalah). In general Mahayana Buddhist terms, this is the Dharmakaya realm (the term I will use). Again, for convenience, we divide it into the low-causal and the high-causal.[...]

The low-causal, which classically is revealed in a state of consciousness known as savikalpa samadhi, represents the pinnacle of God-consciousness, the final and highest abode of Ishvara, the Creatrix of all realms. This represents the culmination of events which began in the high-subtle. In the high-subtle, recall, the self was dissolved or reabsorbed into the archetypal deity, as that deity—a deity which from the beginning has always been one's own Self and highest Archetype.

Now at the low-causal, that deity-Archetype itself condenses and dissolves into final-God, which is here seen as an extraordinarily subtle audible-light or bija-mantra from which the individual ishtadeva, yidam, or Archetype emerged in the first place. Final-God is simply the ground or essence of all the archetypal and lesser-god manifestations which were evoked—and then identified with—in the subtle realms. In the low-causal, all of these archetypal Forms simply reduce to their Source in final-God, and thus, by the very same token and in the very same step, one's own Self is here shown to be that final-God, and consciousness itself thus transforms upwards into a higher-order identity with that Radiance. Such, in brief, is the low-causal, the ultimate revelation of final-God in Perfect Radiance and Release."

THE HIGH-CAUSAL
"Beyond the low-causal, into the high-causal, all manifest forms are so radically transcended that they no longer need even appear or arise in Consciousness. This is total and utter transcendence and release into Formless Consciousness, Boundless Radiance. There is here no self, no God, no final-God, no subjects, and no thingness, apart from or other than Consciousness as Such.

Note the overall progression of the higher unity structures: In the subtle realm, the self dissolves into archetypal Deity (as ishtadeva, yidam, dhyani-buddha, etc.). In the low-causal, that Deity-Self in turn disappears into final-God, which is its Source and Essence. Here, in the high-causal, the final-God Self is reduced likewise to its own prior Ground: it dissolves into Formlessness. Each step is an increase in consciousness and an intensification of Awareness until all forms return to perfect and radical release in Formlessness.

John Blofeld describes beautifully this progression from the Vajrayana Buddhist view: "As the rite progresses, this deity [ishtadeva] enters the adept's body and sits upon a solar-disc supported by a lunar-disc above a lotus in his heart; presently the adept shrinks in size until he and the deity are coextensive [the beginning of the subtle realm]; then, merging indistinguishably [becoming one with deity in the high-subtle realm], they are absorbed by the seed-syllable from which the deity originally sprang [the low-causal]; this syllable contracts to a single point [final-God]; the point vanishes and deity and adept in perfect union remain sunk in the samadhi of voidness [the high-causal] . . ."

We already heard Lex Hixon, representing the Hindu view, describe the progression into the subtle realm. But he naturally continues the account into the causal: After the ishtadeva-archetype has emerged and one has identified with it (in the high-subtle realm), then "that Archetype dissolves into its own essence, or ground [the causal realm]. . . . There is now perfect release into the radiance of formless Consciousness. There is no ishtadeva, no meditator, and no meditation, nor is there any awareness of an absence of these. There is only radiance . . ."

Precisely the same sequence is described by Zen texts on koan study. After the initial stages of concentrating on the koan (this is equivalent to visualizing the ishtadeva or dhyani-buddha), a point is reached where the individual dissolves into the koan—he becomes one with the koan in a superabundance of consciousness: not a loss of awareness but an extraordinary intensification of it. This is called "the man forgotten"—that is, the separate subject is forgotten in union with the koan, which now alone is. This is the subtle state. As this process intensifies, the koan itself is forgotten—that is, it dissolves itself into its own prior ground of Formlessness. This is called "the dharma (the koan) forgotten" or "both man and dharma forgotten"—and this is the high-causal of formless samadhi. This overall process is so consistently and similarly described by all the traditions which reach this high realm that we can now be quite certain of its general features. They are unmistakable.

Let us note that this state itself—the high-causal of "both man and dharma forgotten" or "both subject and object forgotten"—is known as nirvikalpa samadhi (Hinduism), nirodh (Hinayana Buddhism), jnana samadhi (Vedanta) —and it is the eighth of the ten Zen ox-herding pictures which depict the stages to supreme Enlightenment."


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Avalon, Arthur (1950). The Serpent Power: Being the Shat-Chakra-Nirūpana and Pādukā-Panchakā. Adyar, Madras: Ganesh & Co. (Madras) Ltd. p. 55-56.
  3. Wilber, Ken (1996). The Atman Project: A Transpersonal View of Human Development. Quest Books. p. 65-66.

Sūkṣma / Liṅga Śarīra | Subtle Body

Sukshma-Sharira / Linga-Sharira

Sūkṣma-Śarīra / Liṅga-Śarīra (IAST)
Translation: "Subtle Body"

A Concise Dictionary of Indian Philosophy
Sanskrit: सूक्ष्मशरीर
Transliteration: Sūkṣma-Śarīra
Translation: "subtle body"
Definition:
  1. The sheaths of vital airs (Prāṇa), mind (Manas), and knowledge (Vijñāna) constitute the subtle body. They are called the Prāṇamaya-Kośa, Manomaya-Kośa, and Vijñānamaya-Kośa.
  2. The subtle body consists of the internal organs (Buddhi, Ahaṅkāra, and Manas) the organs of knowledge (Jñānendriya), the organs of action (Karmendriya), and the five vital airs (Prāṇa).
  3. It is also called the Liṅga-Śarīra or the astral body.

Sanskrit: लिङग
Transliteration: Liṅga
Translation: "“mark”; “characteristic”; indication; form; reason"
Definition:
  1. Śiva’s sacred symbol representing his creative power. An oval-shaped emblem made of stone, metal, or clay.
  2. The outward symbol of the formless Reality. The merging of the form with the formless is materially symbolized thus. The distinctive sign through which it is possible to recognize the nature of something. It is a “mark” of Lord Śiva.
  3. According to Vīra Shaivism, its followers (Liṅgāyat) wear a Liṅga on their person. It represents Lord Śiva and is the object of worship or adoration.

Māṇḍūkya Upaniṣad (Swami Krishnananda)
"The subtle body of ours, the astral body, is called, in Sanskrit, Liṅga-Śarīra or Liṅga-Deha. Liṅga is a mark, an indication or a symptom. The subtle body is called a symptom, an indication or a mark, because it determines the character of the physical body which is its manifestation. The physical body is nothing but the form that is cast in the mold of the subtle body. The subtle body is not visible to us, and it is internal to the physical body. Of course, there are certain things which are internal even to the subtle body....The internal structure of the body is not the physical structure. It is constituted of a different stuff altogether, called Tanmātra, Mānās, Buddhi, and the like. Tanmātra are subtle vibrations that are inside physical things, and all physical bodies. The vibrations materialize themselves into forms, and in this sense the vibrations are called Nāma, and the forms Rūpa.

The Nāmā and the Rūpa of the Vedānta philosophy, or of the Upaniṣad(s), are not the names and the forms with which we are usually familiar in our social life, but they rather correspond to what Aristotle called in his system, form and matter. Form, according to Aristotle, is the formative power of an object, and matter is the shape this power takes by materialization, concretization, etc. The subtle body may be regarded as the Nāmā, and the physical body the Rūpa. It is the Nāmā, or name in the sense that it indicates a form which is the object corresponding to it, namely the body. The Liṅga-Śarīra, the Sūkṣhma-Śarīra of ours, is our name. That is our real name, and if at all we name ourselves as Gopāla, Goviṇda, Kriṣna, etc., that name which is given to us at the time of Nāmākarana, the naming ceremony, should correspond to our character within. The name should not be in-congruent with our essential nature. The real name is within us. It is not merely a word that we utter with reference to us. You may call a man, Kshīrasāgara-Bhatta (ocean of milk), but he may not have even a little buttermilk in his house.What is the use of calling a poor man as Daulat Rām? There are names that we give without any connection with the nature or the status of the person, and the internal structure of the subtle body. The real name, Liṅga, indication, mark, is the Sūkṣhma-Śarīra, and it is the determining factor of the physical form, the body in which we are engaged.

This subtle body which is vibrant with desires, unfulfilled, puts on a form called the body, for the sake of the fulfillment of the desires. This putting on of a body is called birth; and birth cannot cease for us as long as the subtle body is not extinguished."

The Atman Project (Ken Wilber)
THE SAMBHOGAKAYA: THE SUBTLE REALM
"Beginning with (to use the terms of yogic chakra psychology), the sixth chakra, the ajna chakra, consciousness starts to go transpersonal. Consciousness is now going transverbal and transpersonal. It begins to enter the true "subtle sphere," known in Hinduism as the suksma-sarira, in Buddhism as the Sambhogakaya (the technical term I have adopted). This process quickens and intensifies as it reaches the highest chakra—called the sahasrara—and then goes supramental as it enters the seven higher stages of consciousness beyond the sahasrara. The ajna, the sahasrara, and the seven higher levels are, on the whole, referred to as the subtle realm.

For convenience sake, however, we speak of the "low-subtle" and the "high-subtle." The low-subtle is epitomized by the ajna chakra— the "third eye," which is said to include and dominate both astral and psychic events. That is, the low-subtle is "composed" of the astral and psychic planes of consciousness. Whether one believes in these levels or not, this is where they are said to exist (or rather, where they are said to reach maturity).

The astral level includes, basically, out-of-body experiences, certain occult knowledge, the auras, true magic, "astral travel," and so on. The psychic plane includes what we would call "psi" phenomenon: ESP, precognition, clairvoyance, psychokinesis, and so on. Many individuals can occasionally "plug in" to this plane, and evidence random or higher-than-random psychic abilities. But to actually enter this plane is to more or less master psychic phenomena, or at least certain of them. Patanjali has an entire Chapter of his Yoga Sutras devoted to this plane and its structures (which are siddhis, or paranormal powers). I should also mention that most researchers in the field of parapsychology feel that the astral and psychic realms are really the same body, and so in general we speak of this realm as the astral-psychic.

The whole point of the low-subtle—the astral-psychic—is that consciousness, by further differentiating itself from the mind and body, is able in some ways to transcend the normal capacities of the gross bodymind and therefore operate upon the world and the organism in ways that appear, to the ordinary mind, to be quite fantastic and far-fetched. For my own part, I find them a natural extension of the transcendent function of consciousness."

THE HIGH-SUBTLE
"The high-subtle begins at the sahasrara and extends into seven (or more) levels of extraordinarily high-order transcendence, differentiation, and integration. I am not going to present an exhaustive breakdown of this realm—the reader is instead referred to the works of Kirpal Singh, who deals with this entire realm—of nada and shabd yoga—in a brilliant fashion. I will simply say that this realm is universally and consistently said to be the realm of high religious intuition and literal inspiration; of bijamantra; of symbolic visions; of blue, gold, and white light; of audible illuminations and brightness upon brightness; it is the realm of higher presences, guides, angelic forms, ishtadevas, and dhyani-buddhas; all of which—as we will soon explain—are simply high archetypal forms of one's own being (although they initially and necessarily appear "other"). It is the realm of Sar Shabd, of Brahma the Controller, of God's archetypes, and of Sat Shabd—and beyond these four realms to three higher and totally indescribable levels of being.

In Hinduism, this realm is called the vijnanamayakosa; in Mahayana Buddhism, this is the manas; in Kabbalah, it is Geburah and Chesed. Aspects of this subtle realm have been called the "overself or "overmind"—as in Aurobindo and Emerson (Aurobindo uses the term to cover aspects of the causal as well). The point is simply that consciousness, in a rapid ascent, is differentiating itself entirely from the ordinary mind and self, and thus can be called an "overself" or "overmind"—almost like calling the ego an "overbody" or "over-instincts," since the mental-ego transcends and reaches over the simple feelings and perceptions of the typhon. The overmind simply embodies a transcendence of all mental forms, and discloses, at its summit, the intuition of That which is above and prior to mind, self, world, and body—something which, as Aquinas would have said, all men and women would call God.

But this is not God as an ontological other, set apart from the cosmos, from humans, and from creation at large. Rather, it is God as an Archetypal summit of one's own Consciousness. John Blofeld quotes Edward Conze on the Vajrayana viewpoint: " 'It is the emptiness of everything which allows the identification to take place—the emptiness which is in us coming together with the emptiness which is the deity.' By visualizing that identification 'we actually do become the deity. The subject is identified with the object of faith. [As is said,] The worship, the worshipper and the worshipped, those three are not separate.' "At its peak, the soul becomes one, literally one, with the deity form, with the dhyani-Buddha, with God. One dissolves into Deity, as Deity—that Deity which, from the beginning, has been one's own Self or highest Archetype. In this way only could St. Clement say that he who knows himself knows God. We could now say, he who knows his overself knows God. They are one and the same."

THE SUBTLE REALMS: SUMMARY
[...]"I would like you to simply consider the implications of the possible existence of the subtle realm. What if the mystic-sages are right?

The whole point would be that in the subtle realm—and especially in the high-subtle—a very high-order differentiation and transcendence is occurring. Mediated through high-archetypal symbolic forms— the deity forms, illuminative or audible—consciousness is following a path of transformation upward which leads quite beyond the gross bodymind. This transformation upward, like all the others we have studied, involves the emergence (via remembrance) of a higher-order deep structure, followed by the shifting of identity to that higher-order structure and the differentiation or disidentification with the lower structures (in this case, the ego-mind). This amounts to a transcendence of the lower-order structures (the gross mind and body), which thus enables consciousness to operate on and integrate all of the lower-order structures.

Lex Hixon has described one form of the subtle deep structure called an "ishtadeva." The ishtadeva is simply a high-archetypal deity form which is evoked (and thus emerges) in certain meditations and is literally visualized with the mind's eye using the high-phantasy or vision-image process. I realize some people would say that the ishtadeva is "just a mental image" and doesn't really exist—but that is to simultaneously reduce all mental productions: might as well say that mathematics is just a mental production and therefore doesn't really exist. No, the ishtadeva is real—more than real—in its emergence from the ground unconscious.

Hixon describes it thus: "The Form or Presence of the ishtadeva [which is evoked by vision-image as he clearly explains] appears as vibrantly alive, composed from the radiance of Consciousness. We are not projecting the ishtadeva. The primal radiance which assumes the form of the ishtadeva is actually projecting us and all the phenomena that we call the universe." This high-archetypal symbol eventually mediates the ascension of consciousness to an identity with that Form: "Gradually we realize that the Divine Form or Presence is our own archetype, an image of our own essential nature."

This, however, is not a loss of consciousness but an intensification of consciousness through a higher-order development, evolution, transcendence and identification: "The ishtadeva does not disappear into us; we as individuals disappear into the ishtadeva, which now remains alone. Yet there is no loss of our individual being as we blend into the object of our contemplation, for it has been our own archetype from the beginning, the source of this fragmentary reflection we call our individual personality."

The whole point is that the gross ego has not simply swallowed the high Archetypal Form, but that the prior nature of the ego is revealed to be that Form, so that consciousness reverts to—or remembers—its own prior and higher identity: "We remain now as a transcendental center of consciousness expressed through the Form or formless Presence of the ishtadeva. We are now experiencing the life of the ishtadeva from within. We are consciously meeting and becoming [via higher identification] ourselves in our archetypal and eternal nature." Such, then, is one form of true transformation or development into the subtle realm, the discovery or remembrance of a higher-order unity that is now approaching Unity—that enters the transpersonal sphere of superconciousness and discloses only Archetypal Essence."


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Krishnananda, Swami (1996). The Māṇḍūkya Upaniṣad. Retrieved from https://www.swami-krishnananda.org/mand_0.html. p. 51-52.
  3. Wilber, Ken (1996). The Atman Project: A Transpersonal View of Human Development. Quest Books. p. 60-64

Sthūla-Śarīra | Gross Body

Sthula-Sharira

Sthūla-Śarīra (IAST)
Translation: "Gross Body"

A Concise Dictionary of Indian Philosophy
Sanskrit: स्थूलशरीर
Transliteration: Sthūla Śarīra
Translation: "gross body; physical body"
Definition: "According to Sāṅkhya, it is constituted of the twenty-five elemental principles; the five Jñānendriya (the organs of hearing, touch, sight, taste, and smell), the five Karmendriya (the organs of speech prehension, movement, excretion, and generation), the five Tanmātra (the subtle essence of the elements of sound, touch, sight, taste, and smell), the five Mahābhūta (ether, air, fire, water, and earth), and the five vital airs (Prāṇa, Apāna, Samāna, Udāna, and Vyāna)."

The Serpent Power (Arthur Avalon)
"The Sthūla Śarīra, with its three Dośas, six Kośa, seven Dhatus, ten Fires, and so forth, is the perishable body composed of compounds of five forms of gross sensible matter (Mahābhūta), which is ever decaying, and is at the end dissolved into its constituents at death. This is the Vedantic body of food (Annamaya Kośa), so called because it is maintained by food which is converted into chyle (Rasa), blood, flesh, fat, bone, marrow and seed-components of the gross organism. The Jīva lives in this body when in the waking (Jagrat) state."

The Atman Project (Ken Wilber)
THE NIRMANAKAYA: THE GROSS REALMS
"In Hinduism, the gross realm is called the sthula-sarira; in Kabbalah it is everything below the Tipbareth; in Buddhism, it is the Nirmanakaya (which is the term I use most often, next to "gross" itself). The gross realm, the Nirmanakaya—the realm of ordinary waking consciousness—is simply composed of all those levels which are based on, or centered around, or take as their final referent the gross physical body and its constructs of ordinary space and time. The physical or axial body itself is called the "gross level," and all aspects of the psyche that reflect this level are called the "gross-reflecting mind" (or just the "gross mind" for short). Taken together, they constitute the overall gross realm—the gross bodymind of ego, body, persona, shadow, and centaur.

This "gross-reflecting mind" is what Aurobindo means when he speaks of the average individual as possessed of a "twilit or obscure physical mentality" or of "the ordinary material intellect which takes its present organization of consciousness for the limit of its possibilities." For in the ordinary egoic state "the mind, habituated only to the evidence of the senses and associating reality with corporeal fact, is either unaccustomed to use other means of knowledge or unable to extend the notion of reality to a supraphysical experience." And, in a phrase I particularly like, he speaks of the true subtle mind (as opposed to the gross mind) as "a mind and sense not shut up in the walls of the physical ego."

All of this—the gross body and the gross ego as constituting the overall gross realm—is in close agreement with standard Buddhist psychology. For the Nirmanakaya is said to consist of the five senses plus the manovijnana, and the manovijnana is the "mind involved with the senses." D. T. Suzuki unequivocally equates the manovijnana with both the ego of Western psychology and the logical-empirical intellect. He also speaks of this overall realm as the one of "sense and thought," and places all the data of Western psychology precisely in that realm—and that realm only. Thus, besides the gross or physical body, we see that the gross realm in humans consists of, or is inextricably intermeshed with, the lower or gross-reflecting mind, so that the entire realm itself is best referred to as the realm of the gross bodymind."


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Avalon, Arthur (1950). The Serpent Power: Being the Shat-Chakra-Nirūpana and Pādukā-Panchakā. Adyar, Madras: Ganesh & Co. (Madras) Ltd. p. 67.
  3. Wilber, Ken (1996). The Atman Project: A Transpersonal View of Human Development. Quest Books. p. 58

Friday, May 24, 2019

Śarīra | Bodies of the Jīva

Sharira

Śarīra (IAST)
Translation: "Bodies of the Jīva"

A Concise Dictionary of Indian Philosophy
Sanskrit: शरीर
Transliteration: Śarīra
Translation: "body; “that which perishes”; sheath (from the verb root śrī – “to waste away”)"
  1. According to Viśiṣṭādvaita Vedānta, the body is that which is supported by the self, controlled by the self, and exists for the sake of the self. It has eight constituents: the five elements (Mahābhūta), primordial Nature (Prakṛti), egoism (Ahaṅkāra), and the Great (Mahat).
  2. It is divided into the gross body (Sthūla-Śarīra), the subtle body (Liṅga or Sūkṣma-Śarīra), and the causal body (Kāraṇa-Śarīra).
  3. Advaita Vedānta calls the causal body the sheath of bliss. The subtle body is composed of the mental sheath, the sheath of the intellect, and the sheath of breath. The gross body is composed of the food sheath.
  4. According to Nyāya-Vaiśeṣika, the body is made up of earth, water, fire, and air and is not constituted of the five elements as postulated by Sāṅkhya and Advaita Vedānta.

The Bodies of the Jīva as defined in The Serpent Power by Arthur Avalon

The bodies are threefold: causal (Kāraṇa-Śarīra or Para-Śarīra, as the Shaivas call it), subtle (Sūkṣma-Śarīra), and gross (Sthūla-Śarīra). These bodies in which the Ātma is enshrined are evolved from Prakṛti Śakti, and are constituted of its various productions. They form the tabernacle of the Spirit (Ātma), which as the Lord is "in all beings, and who from within all beings controls them." The body of the Lord (Īśvara) is pure Sattva-Guṇa (Śuddha-Sattva-Guṇa-Pradhāna). This is the aggregate Prakṛti or Māyā of Him or Her as the Creator-Creatrix of all things. Jīva, as the Kularnava Tantra says, is bound by the bonds (Paśa); Sadaśiva is free of them. The former is Paśu and the latter Paśupati, or Lord of Paśus (Jīva). That is, Īśvari is not affected by Her own Māyā. She is all-seeing, all-knowing, all-powerful. Īśvara thus rules Māyā. Jīva is ruled by it. From this standpoint, the Mother and Her child the Jīva are not, thus, the same. For the latter is a limited consciousness subject to error, and governed by that Māyā-Śakti of Hers which makes the world seem to be different from what it in its essence is. The body of Jīva is therefore known as the individual Prakṛti or Avidyā, in which there is impure Sattva, Rajas, and Tamas (Malina-Sattva-Guṇa-Pradhāna). But in the Mother are all creatures. And so in the Trishati the Devi is called "in the form of one and many letters (Ekanekakṣarakriti). As Eka, She is the Ajñāna which is pure Sattva and attribute (Upadhi) of Īśvara; as Aneka She is Upadhi or vehicle of Jīva. Whilst Īśvara is one, Jīva are many, according to the diversity in the nature of the individual Prakṛti caused by the appearance of Rajas and Tamas in it in differing proportions. The Ātma appears as Jīva in the various forms of vegetable, animal, and human worlds.

कारणशरीर – Kāraṇa-Śarīra (Causal Body)
The first or Causal Body of any particular Jīva, therefore, is that Prakṛti (Avidyā Śakti) which is the cause of the subtle and gross bodies of this Jīva which are evolved from it. This body lasts until Liberation, when the Jīvātman ceases to be such and is the Paramātman or bodiless Spirit (Videha-Mukti). The Jīva exists in this body during dreamless sleep (Suṣupti).

The second and third bodies are the differentiations through evolution of the causal body, from which first proceeds the subtle body, and from the latter is produced the gross body.

सूक्षमशरीर – Sūkṣma-Śarīra or लिङगशरीर – Liṅga Śarīra  (Subtle Body)
The Subtle Body, which is also called Liṅga Śarīra or Puryashtaka, is constituted of the first evolutes (Vikṛti) from the causal Prakṛtic body - namely, the Mind (Antaḥ-Kāraṇa), the internal instrument, together with the external instruments (Bahya-Kāraṇa), or the Senses (Indriya), and their supersensible objects (Tanmātra).

The third or Gross Body is the body of "matter" which is the gross particular object of the senses derived from the supersensibles.

अन्तःकरण – Antaḥ-Kāraṇa (Mental Body)
Shortly, the subtle body may be described as the Mental Body, as that which succeeds is called the gross body of Matter. Mind is abstractedly considered by itself, that is, as dissociated from Consciousness which is never the case, an unconscious force which breaks up into particulars the Experience-Whole which is Cit. It is called the "working within" or "internal instrument" (Antaḥ-Kāraṇa), and is one only, but is given different names to denote the diversity of its functions. The Sāṅkhya thus speaks of Buddhi, Ahaṅkāra, Manas, to which the Vedānta adds Citta, being different aspects or attributes (Dharma) of Mind as displayed in the psychical processes by which the Jīva knows, feels, and wills.

These may be considered from the point of view of evolution — that is, according to the sequence in which the limited experience of the Jīva is evolved — or from that in which they are regarded after creation, when the experience of concrete sense objects has been had. According to the former aspect, Buddhi or Mahat Tattva is the state of mere presentation; consciousness of being only, without thought of "I" (Ahaṅkāra), and unaffected by sensations of particular objects (Manas and Indriya). It is thus the impersonal Jīva Consciousness. Ahaṅkāra, of which Buddhi is the basis, is the personal consciousness which realizes itself as a particular "I", the experiencer. The Jīva, in the order of creation, first experiences in a vague general way without consciousness of the self, like the experience which is had immediately on waking after sleep. It then refers this experience to the limited self, and has the consciousness "I am So-and-so".

Manas is the desire which follows on such experience, and the Senses (Indriya) and their objects are the means whereby that enjoyment is had which is the end of all will to life. Whilst, however, in the order of evolution, Buddhi is the first principle, in the actual working of the Antaḥ-Kāraṇa after creation has taken place, it comes last.

तन्मात्र – Tanmātra (Thatness)
It is more convenient, therefore, to commence with the sense-objects and the sensations they evoke. The experiencer is affected by Matter in five different ways, giving rise in him to the sensations of hearing, touch and feel, colour and form and sight, taste, and smell. But sensible perception exists only in respect of particular objects and is thus perceived in its variations only. But there exist also general elements of the particulars of sense-perception. That general ideas may be formed of particular sense-objects, indicates, it is said, their existence in some parts of the Jīva's nature as facts of experience; otherwise the generals could not be formed from the particulars given by the senses as the physical facts of experience. This general is called a Tanmātra, which means the "mere thatness," or abstract quality, of an object. Thus, the Tanmātra of a sound (Śabda Tanmātra) is not any particular sensible form of it, but the "thatness" of that sound — that is, that sound apart from any of its particular variations stated. The Tanmātra have, therefore, aptly been called the "generals of the sense particulars" — that is, the general elements of sense perception. These necessarily come into existence when the senses (Indriya) are produced; for a sense necessitates something which can be the object of sensation. These Sūkṣma (subtle) Bhūta, as they are also called, are not ordinarily themselves perceived, for they are supersensible (Atindriya). Their existence is only mediately perceived through the gross particular objects of which they are the objects of immediate (Pratyaksa) perception only to Yogis. They are, like the gross sense-objects derived from them, five in number namely, sound (Śabda Tanmātra), touch and feel (Sparśa Tanmātra), color and form (Rūpa Tanmātra), flavor (Rasa Tanmātra), and odor (Gandha Tanmātra) as universals. Each of these evolves from that which precedes it.

इन्द्रिय – Indriya (Senses)
Sensations aroused by sense-objects are experienced by means of the outer instruments (Bāhya-Kāraṇa) of the Lord of the body, or senses (Indriya), which are the gateways through which the Jīva receives worldly experience. These are ten in number, and are of two classes: viz., the five organs of sensation or perception (Jñānendriya), or ear (hearing), skin (feeling by touch), eye (sight), tongue (taste), and nose (smell); and the five organs of action (Karmendriya), which are the reactive response which the self makes to sensation — namely, mouth, hands, legs, anus, and genitals, whereby speaking, grasping, walking, excretion, and procreation are performed, and through which effect is given to the Jīva's desires. These are afferent and efferent impulses respectively.

The Indriya, or sense, is not the physical organ, but the faculty of mind operating through that organ as its instrument. The outward sense-organs are the usual means whereby on the physical plane the functions of hearing and so forth are accomplished. But as they are mere instruments and their power is derived from the mind, a Yogi may accomplish by the mind only all that may be done by means of these physical organs without the use of the latter.

With reference to their physical manifestations, but not as they are in themselves, the classes into which the Indriya are divided may be described as the sensory and motor nervous systems. As the Indriya are not the physical organs, such as ear, eye, and so forth, but faculties of the Jīva desiring to know and act by their aid, the Yogi claims to accomplish without the use of the latter all that is ordinarily done by their means. So a hypnotized subject can perceive things, even when no use of the special physical organs ordinarily necessary for the purpose is made. The fact of there being a variety of actions does not necessarily involve the same number of Indriya. An act of "going" done by means of the hand (as by a cripple) is to be regarded really as an operation of the Indriya of feet (Padendriya), even though the hand is the seat of the Indriya for handling. By the instrumentality of these Indriya, things are perceived and action is taken with reference to them. The Indriya are not, however, sufficient in themselves for this purpose. In the first place, unless attention (Alochana) co-operates there is no sensation at all. To be "absent-minded" is not to know what is happening. Attention must therefore co-operate with the senses before the latter can "give" the experiencer anything at all. Next, at one and the same moment, the experiencer is subject to receive a countless number of sensations which come to and press upon him from all sides. If any of these is to be brought into the field of consciousness, it must be selected to the exclusion of others. The process of experience is the selection of a special section from out of a general whole, and then being engaged on it, so as to make it one's own, either as a particular object of thought or a particular field of operation. Lastly, as Western psychology holds, the senses give not a completed whole, but a manifold — the manifold of sense. These "points of sensation" must be gathered together and made into a whole. These three functions of attention, selection, and synthesizing the discrete manifold of the senses, are those belonging to that aspect of the mental body, the internal agent (Antaḥ-Kāraṇa), called Manas. Just as Manas is necessary to the senses (Indriya), the latter are necessary for Manas. For the latter is the seat of desire, and cannot exist by itself. It is the desire to perceive or act, and therefore exists in association with the Indriya.

मनस् – Manas (Mind)
Manas is thus the leading Indriya, of which the senses are powers. For without the aid and attention of Manas, the other Indriya are incapable of performing their respective offices; and as these Indriya are those of perception and action, Manas, which co-operates with both, is said to partake of the character of both cognition and action.

Manas, through association with the eye or other sense, becomes manifold, being particularized or differentiated by its co-operation with that particular instrument, which cannot fulfil its functions except in conjunction with Manas.

Its function is said to be Saṅkalpa-Vikalpa, that is, selection and rejection from the material provided by the Jñānendriya. When, after having been brought into contact with the sense-objects, it selects the sensation which is to be presented to the other faculties of the mind, there is Saṅkalpa. The activity of Manas, however, is itself neither intelligent result nor moving feelings of pleasure or pain. It has not an independent power to reveal itself to the experiencer. Before things can be so revealed and realized as objects of perception, they must be made subject to the operation of Ahaṅkāra and Buddhi, without whose intelligent light they would be dark forms unseen and unknown by the experiencer, and the efforts of Manas but blind gropings in the dark. Nor can the images built up by Manas affect of themselves the experiencer so as to move him in any way until and unless the experiencer identifies himself with them by Ahaṅkāra — that is, by making them his own in feeling and experience. Manas, being thus an experience of activity in the dark, unseen and unrevealed by the light of Buddhi and not moving the experiencer until he identifies himself with it in feeling, is one in which the dark veiling quality (Tamas Guṇa) of Śakti Prakṛti is the most manifest. This Guṇa also prevails in the Indriya and the subtle objects of their operation (Tanmātra).

अहङकार – Ahaṅkāra ( Ego / “I-maker” )
Ahaṅkāra the "I-maker" is self-arrogation — that is, the realization of oneself as the personal "I" or self-consciousness of worldly experience in which the Jīva thinks of himself as a particular person who is in relation with the objects of his experience. It is the power of self-arrogation whereby all that constitutes man is welded into one Ego, and the percept or concept is referred to that particular thinking subject and becomes part of its experience. When, therefore, a sensation is perceived by Manas and determined by Buddhi, Ahaṅkāra says: "It is I who perceive it." This is the "I" of phenomenal consciousness as distinguished from "this" the known. Buddhi functions with its support.

बुद्धि – Buddhi (Intellect)
Buddhi considered with relation to the other faculties of experience is that aspect of the Antaḥ-Kāraṇa which determines (Adhyavasayatmika Buddhiḥ). "A man is said to determine (Adhyavasyati) who, having perceived (Manas), and thought, 'I am concerned in this matter (Ahaṅkāra)' and thus having self-arrogated, comes to the determination, 'This must be done by me' (Kartavyam Etat Māyā)." "Must be done" here does not refer to exterior action only, but to mental action (Manasi Kriyā) also, such as any determination by way of the forming of concepts and percepts ("It is so") and resolutions ("It must be done"). Buddhi pervades all effects whatever other than itself. It is the principal Tattva because it pervades all the instruments (Indriya), is the receptacle of all the Saṃskāra or Karmic tendencies, and is in Sāṅkhya the seat of memory. It is the thinking principle which forms concepts or general ideas acting through the instrumentality of Ahaṅkāra, Manas and the Indriya. In the operations of the senses Manas is the principal; in the operation of Manas, Ahaṅkāra is the principal; and in the operation of Ahaṅkāra, Buddhi is the principal. With the instrumentality of all of these, Buddhi acts, modifications taking place in Buddhi through the instrumentality of the sense functions. It is Buddhi which is the basis of all cognition, sensation, and resolves, and makes over objects to Puruṣa that is, Consciousness. And so it is said that Buddhi, whose characteristic is determination, is the charioteer; Manas, whose characteristic is Saṅkalpa-Vikalpa, is the reins; and the senses, Indriya, are the horses. Jīva is the Enjoyer (Bhokta) that is, Ātma conjoined with body, senses, Manas, and Buddhi. In Buddhi, Sattva Guṇa predominates; in Ahaṅkāra, Rajas, in Manas and the Indriya and their objects, Tamas.

चित्त – Citta (Mind)
Citta in its special sense is that faculty (Vṛtti) by which the Mind first recalls to memory (Smaranam) that of which there has been previously Anubhava or Pratyaksa Jñāna — that is, immediate cognition. This Smaranam exists only to the extent of actual Anubhava. For remembrance is the equivalent of, and neither more nor less than, what has been previously known; remembrance being the calling up of that. Chintā, again, is that faculty whereby the current of thought dwells, thinks and contemplates upon (Chintā) the subject so recalled by Smaranam, and previously known and determined by Buddhi. For such meditation (Dhyāna) is done through the recall and fixing the mind upon past percepts and concepts. According to Vedānta, Buddhi determines but once only, and the further recall and thought upon the mental object so determined is the faculty of the separate mental category called Citta. Sāṅkhya, on the principle of economy of categories, regards Smaranam and Chintā to be functions of Buddhi. In the works here translated and elsewhere Citta is, however, currently used as a general term for the working mind — that is, as a synonym for the Antaḥ-Kāraṇa.

Summary of Subtle Body
To sum up the functions of the subtle body: the sense-objects (Bhūta, derived from Tanmātra) affect the senses (Indriya) and are perceived by Manas, are referred to the self by Ahaṅkāra, and are determined by Buddhi. The latter in its turn is illumined by the light of Consciousness (Cit), which is the Puruṣa; all the principles (Tattva) up to and including Buddhi being modifications of apparently unconscious Prakṛti. Thus, all the Tattva work for the enjoyment of the Self or Puruṣa. They are not to be regarded as things existing independently by themselves, but as endowments of the Spirit (Ātma). They do not work arbitrarily as they will, but represent an organized co-operative effort in the service of the Enjoyer, the Experiencer or Puruṣa.

The subtle body is thus composed of what are called the "17" viz., Buddhi (in which Ahaṅkāra is included), Manas, the ten senses (Indriya), and the five Tanmātra. No special mention is made of Prāṇa or Vital Principle by the Sāṅkhya, by which it is regarded as a modification of the Antaḥ-Kāraṇa, and as such is implicity included. The Māyāvadins insert the Prāṇa pentad instead of the Tanmātra.

The Jīva lives in his subtle or mental body alone when in the dreaming (Svapna) state. For the outside world of objects (Mahābhūta) is then shut out and the consciousness wanders in the world of ideas. The subtle body or soul is imperishable until Liberation is attained, when the Jīvātman or seemingly conditioned consciousness ceases to be such and is the Supreme Consciousness or Paramātman, Nirguṇa Śiva. The subtle body thus survives the dissolution of the gross body of matter, from which it goes forth (Utkramana), and "reincarnates" (to use an English term) until Liberation (Mukti). The Liṅga Śarīra is not all-pervading (Vibhu), for in that case it would be eternal (Nitya) and could not act (Kriya). But it moves and goes (Gati). Since it is not Vibhu, it must be limited (Parichchhinna) and of atomic dimension (Anuparimana). It is indirectly dependent on food. For though the material body is the food-body (Annamaya), Mind is dependent on it when associated with the gross body. Mind in the subtle body bears the Saṃskāra which are the result of past actions. This subtle body is the cause of the third or gross body.

The whole process of evolution is due to the presence of the will to life and enjoyment, which is a result of Vasana, or world-desire, carried from life to life in the Saṃskāra, or impressions made on the subtle body by Karma, which is guided by Īśvara. In its reaching forth to the world, the Self is not only endowed with the faculties of the subtle body, but with the gross objects of enjoyment on which those faculties feed. There, therefore, comes into being, as a projection of the Power (Śakti) of Consciousness, the gross body of matter called Sthūla Śarīra.

The word Śarīra comes from the root "Śri," to decay; for the gross body is at every moment undergoing molecular birth and death until Prāṇa, or vitality, leaves the organism, which, as such, is dissolved. The Soul (Jīvātman ) is, when it leaves the body, no longer concerned therewith. There is no such thing as the resurrection of the same body. It returns to dust and the Jīva when it reincarnates does so in a new body, which is nevertheless, like the last, suited to give effect to its Karma.

स्थूलशरीर – Sthūla Śarīra (Gross Body)
The Sthūla Śarīra, with its three Dośas, six Kośa, seven Dhatus, ten Fires, and so forth, is the perishable body composed of compounds of five forms of gross sensible matter (Mahābhūta), which is ever decaying, and is at the end dissolved into its constituents at death. This is the Vedantic body of food (Annamaya Kośa), so called because it is maintained by food which is converted into chyle (Rasa), blood, flesh, fat, bone, marrow and seed-components of the gross organism. The Jīva lives in this body when in the waking (Jagrat) state.

The human, physical, or gross body is, according to Western science, composed of certain compounds of which the chief are water, gelatine, fat, phosphate of lime, albumen, and fibrine, and of these water constitutes some two-thirds of the total weight. These substances are composed of simpler non-metallic and metallic elements, of which the chief are oxygen (to the extent of about two-thirds), hydrogen, carbon, nitrogen, calcium, and phosphorus. Again, to go one step farther back, though the alleged indestructibility of the elements and their atoms is still said by some to present the character of a "practical truth," well-known recent experiments go to re-establish the ancient hypothesis of a single Primordial Substance to which these various forms of matter may be reduced, with the resultant of the possible and hitherto derided transmutation of one element into another; since each is but one of the plural manifestations of the same underlying unity.

Recent scientific research has shown that this original substance cannot be scientific "matter" — that is, that which has mass, weight and inertia. Matter has been dematerialized and reduced, according to current hypotheses, to something which differs profoundly from "matter" as known by the senses. This ultimate substance is stated to be Ether in a state of motion. The present scientific hypothesis would appear to be as follows: The ultimate and simplest physical factor from which the universe has arisen in motion of and in a substance called "Ether," which is not scientific "matter". The motions of this substance give rise from the realistic point of view to the notion of "matter". Matter is thus at base one, notwithstanding the diversity of its forms. Its ultimate element is on the final analysis of one kind, and the differences in the various kinds of matter depend on the various movements of the ultimate particle and its succeeding combinations. Given such unity of base, it is possible that one form of matter may pass into another. The Indian theory here described agrees with the Western speculations to which we have referred, that what the latter calls scientific or ponderable matter does not permanently exist, but says that there are certain motions or forces (five in number) which produce solid matter, and which are ultimately reducible to ether (Ākāśa). Ākāśa, however, and scientific "Ether" are not in all respects the same. The latter is an ultimate substance, not "matter," having vibratory movements and affording the medium for the transmission of light. Ākāśa is one of the gross forces into which the Primordial Power (Prakṛti-Śakti) differentiates itself. Objectively considered, it is a vibration in and of the substance of Prakṛti of which it is a transformation in which the other forces are observed to be operating. Lastly, Ākāśa is not an ultimate, but is itself derived from the supersensible Tanmātra, with its quality (Guṇa) whereby Ākāśa affects the senses; and this Tanmātra is itself derived from the mental I-making principle (Ahaṅkāra), or personal consciousness produced from the superpersonal Jīva-consciousness as such (Buddhi), emanating from the root-energy, or Prakṛti-Śakti, the cause and basis of all forms of "material" force or substance. At the back of both "matter" and mind, there is the creative energy (Śakti) of the Supreme who is the cause of the universe and Consciousness itself.

Matter affects the Jīva in five different ways, giving rise in him to the sensations of smell, taste, sight, touch and feel, and hearing.

As already explained, the Tanmātra are supersensible, being abstract qualities, whilst the senses perceive their variations in particular objects only. These sense particulars are produced from the generals or Universals.

महाभूत – Mahābhūta (The Great Elements)
From the Śabda Tanmātra and from the combinations of the latter with the other Tanmātra are produced the gross Bhūta (Mahābhūta), which as things of physical magnitude perceivable by the senses approach the Western definition of discrete sensible "matter". These five Mahābhūta are Ākāśa (Ether), Vāyu (Air), Tejas (Fire), Apas (Water) and Pṛthvī (Earth). Their development takes place from the Tanmātra, from one unit of that which is known in sensible matter as mass (Tamas), charged with energy (Rajas) by the gradual accretion of mass and redistribution of energy. The result of this is that each Bhūta is more gross than that which precedes it until "Earth" is reached. These five Bhūta have no connection with the English "elements" so called, nor, indeed, are they elements at all, being derived from the Tanmātra. Dynamically and objectively considered they are (proceeding from Ākāśa) said to be five forms of motion, into which Prakṛti differentiates itself" viz., non-obstructive, all-directed motion radiating lines of force in all directions, symbolized as the "Hairs of Śiva" affording the space (Ākāśa) in which the other forces operate; transverse motion and locomotion in space (Vāyu); upward motion giving rise to expansion (Tejas); downward motion giving rise to contraction (Apas); and that motion which produces cohesion, its characteristic of obstruction being the opposite of the non-obstructive ether in which it exists and from which it and other Tattva spring. The first is sensed by hearing through its quality (Guṇa) of sound (Śabda); the second by touch through resistance and feeling; the third by sight as colour; the fourth by taste through flavour; and the fifth by the sense of smell through its odour, which is produced by matter only in so far as it partakes of the solid state. 

The hard and stable obstructive "earth" is that which is smelt, tasted, seen, and touched, and which exists in space which is known by hearing – that is, the sounds in it. The smooth "water" is that which is tasted, seen, and touched in space. "Fire" is what is seen and touched – that is, felt as temperature – in space. "Air" is what is so felt in space. And sound which is heard is that by which the existence of the "Ether" is known. These Bhūta when compounded make up the material universe. Each thing therein being thus made of all the Bhūta, we find in the Tantras that form, color and sound, are related, a truth which is of deep ritual significance. Thus, each of the sounds of speech or music has a corresponding form, which have now been made visible to the eye by the Phonoscope. Thus, the deaf may perceive sounds by the eye just as, by the Optophone the blind may read by means of the ear.

In the same Śāstra, various colours and figures (Mandalas) are assigned to the Tattva to denote them. Ākāśa is represented by a transparent white circular diagram in which, according to some accounts, there are dots (chhidra = hole), thus displaying the interstices which Ākāśa produces; for Ākāśa, which is all-pervading, intervenes between each of the Tattva which are evolved from it.

Vāyu is denoted by a smoky grey, six-cornered diagram; Tejas, red, triangular diagram; Apas, white, crescent-shaped diagram; and Pṛthvī, yellow, quadrangular diagram which; as the superficial presentation of the cube, well denotes the notion of solidity. Similarly, to each Devatā also there is assigned a Yantra, or diagram, which is a suggestion of the form assumed by the evolving Prakṛti or body of that particular Consciousness.

The gross body is, then, a combination of the compounds of those Mahābhūta, derivable from the Ākāśa ("Ether") Tattva.

The Bhūta and the Tanmātra, as parts of these compounds, pervade the body, but particular Bhūta are said to have centres of force in particular regions. Thus the centres (Cakra) of "Earth" and "Water" are the two lower ones in the trunk of the body. Fire predominates in the central abdominal region, and "Air" and "Ether" in the two higher centres in the heart and throat. These five Tanmātra, five Bhūta, and the ten senses (Indriya) which perceive them, are known as the twenty gross Tattva which are absorbed in Yoga in the centres of the bodily trunk. The remaining four subtle mental Tattva (Buddhi, Ahaṅkāra, Manas) and Prakṛti have their special centres of activity in the head. Again, the Bhūta may be specially displayed in other portions of the bodily organism. Thus, Pṛthvī displays itself as bone or muscles; Apas as urine and saliva; Tejas as hunger and thirst; Vāyu in grasping and walking. Fire is manifold, its great mystery being saluted by many names. So Tejas manifests both as light and heat, for, as Helmholtz say, the same object may effect the senses in different ways. The same ray of sunshine, which is called light when it falls on the eyes, is called heat when it falls on the skin. Agni manifests in the household and umbilical fires; as Kamagni in the Mūladhara centre; in Vadava or submarine fire and in the "Lightning" of the Suṣumnā in the spinal column.

Matter thus exists in the five states etheric, aerial, fiery, fluid, and solid. Pṛthvī does not denote merely what is popularly called "Earth". All solid (Parthiva) odorous substance is in the Pṛthvī state. All substance in the fluid (Apya) state is in the Apas state, as everything which has cohesive resistance is in that of Pṛthvī. This latter, therefore, is the cohesive vibration, the cause of solidity, of which the common earth is a gross compounded form. All matter in the aerial (Vayava) condition is in the Vāyu state. These are all primary differentiations of cosmic matter into a universe of subtly fine motion. The Tattva regarded objectively evoke in the Indriya smell, taste, sight, touch, and hearing.

The gross body is thus a combination of compounds of these Mahābhūta, derivable ultimately from Ether (Ākāśa), itself evolved in manner described.

प्राण – Prāṇa (Breath)
The gross and subtle bodies above described are vitalized and held together as an organism by Prāṇa, which is evolved from the active energy (Kriya Śakti) of the Liṅga Śarīra. Prāṇa, or the vital principle, is the special relation of the Ātma with a certain form of matter which by this relation, the Ātma organizes and builds up as a means of having experience. This special relation constitutes the individual Prāṇa in the individual body. The cosmic all-pervading Prāṇa is not Prāṇa in this gross sense, but is a name for the Brahman as the author of the individual Prāṇa. The individual Prāṇa is limited to the particular body which it vitalizes, and is a manifestation in all breathing creatures (Prani) of the creative and sustaining activity of the Brahman, who is represented in individual bodies by the Devi Kuṇḍalinī.

All beings, whether Devatās, men, or animals, exist only so long as the Prāṇa is within the body. It is the life-duration of all. What life is has been the subject of dispute in India as elsewhere. The materialists of the Lokayata school considered life to be the result of the chemical combinations of the elements, in the same manner as the intoxicating property of spirituous liquors results from the fermentation of unintoxicating rice and molasses, or as spontaneous generation was supposed to occur under the influence of gentle warmth. This is denied by the Sāṅkhya. Though Prāṇa and its fivefold functions are called Vāyu, Life, according to this school, is not a Vāyu in the sense of a mere biomechanical force, nor any mere mechanical motion resulting from the impulsion of such Vāyu.

According to the view of this school, Prāṇa, or vitality, is the common function of the mind and all the sense, both sensory (Jñānendriya) and motor (Karmendriya), which result in the bodily motion. Just as several birds when confined in one cage cause that cage to move, by themselves moving, so the mind and senses cause the body to move while they are engaged in their respective activities. Life is, then, a resultant of the various concurrent activities of other principles or forces in the organism.

The Vedantists agree in the view that the Prāṇa is neither Vāyu nor its operation, but deny that it is the mere resultant of the concomitant activities of the organism, and hold that it is a separate independent principle and “material” form assumed by the universal Consciousness. Life is therefore a subtle principle pervading the whole organism which is not gross Vāyu, but is all the same a subtle kind of apparently unconscious force, since everything which is not the Ātma or Puruṣa is, according to Māyāvada Vedānta and Sāṅkhya, unconscious or, in Western parlance “material” (Jada).’ The gross outer body is heterogeneous (Parichchhinna) or made up of distinct or well-defined parts. On the other hand, the Prāṇamaya self which lies within the Annamaya self is a homogeneous undivided whole (Sādhārana) permeating the whole physical body (Sarvapindavyapin). It is not cut off into distinct regions (Asadharana) as is the Pinda, or microcosmic physical body. Unlike the latter, it has no specialized organs each discharging a specific function. It is a homogeneous unity (Sādhārana) present in every part of the body, which it ensouls as its inner self. Vāyu, which courses through the body is the manifestation, self-begotten, the subtle, invisible, all-pervading, divine energy of eternal life. It is so called from the fact of its coursing throughout the universe. Invisible in itself, yet its operations are manifest. For it determines the birth, growth and decay of all animated organisms, and as such it receives the homage of all created being. As vital Vāyu, it is instantaneous in action, radiating as nerve force through the organism in constant currents. In its normal condition, it maintains a state of equilibrium between the different Doṣas and Dhatus, or root principles of the body. The bodily Vāyu is divided, as are the principles called Pitta and Kapha, into five chief divisions according to the differences in location and function. Vāyu, known in its bodily aspect as Prāṇa, the universal force of vital activity, on entry into each individual is divided into tenfold functions (Vṛtti) of which five are chief. The first or breathing, bear the same name (Prāṇa) as that given to the force considered in its totality – the function whereby atmospheric air with its pervading vitality, which has been first drawn from without into the bodily system, is expired.

On the physical plane, Prāṇa manifests in the animal body as breath through inspiration (Sa), or Śakti, and expiration (Ha), or Śiva. Breathing is itself a Mantra, known as the Mantra which is not recited (Ajapā-Mantra), for it is said without volition.

The divine current is the motion of Ha and Sa. This motion, which exists on all the planes of life, is for the earth plane (Bhurloka) created and sustained by the Sun, the solar breath of which is the cause of human breath with its centrifugal and centripetal movements, the counterpart in man of the cosmic movement of the Hamsah or Śiva Śakti Tattva, which are the soul of the Universe. The Sun is not only the centre and upholder of the solar system, but the source of all available energy and of all physical life on Earth. Accompanying the sunshine, there proceeds from the orb a vast invisible radiation, the pre-requisite of all vegetable and animal life. It is these invisible rays which, according to science, sustain the mystery of all physical life. The Sun as the great luminary is the body of the Solar God, a great manifestation of the Inner Spiritual Sun.

Apāna, the downward “breath” which pulls against Prāṇa, governs the excretory functions; Samāna kindles the bodily fire and governs the processes of digestion and assimilation; Vyāna, or diffused “breathing,” is present throughout the body, effecting division and diffusion, resisting disintegration, and holding the body together in all its parts; and Udāna, the ascending Vāyu, is the so-called “upward breathing”. Prāṇa is in the heart; Apāna in the anus; Samāna in the navel; Udāna in the throat; and Vyāna pervades the whole body. By the words “navel” and so forth, it is not meant that the Vāyu is in the navel itself but in that region of the body so designated – the abdominal region and its centre the Maṇipūra Cakra. The five minor Vāyu are Naga, Kurma, Krikara, Devadatta, and Dhananjaya, which manifest in hiccup, closing and opening the eyes, digestion, yawning, and in that Vāyu “which leaves not even the corpse”. The functions of Prāṇa may be scientifically defined as follows: Appropriation (Prāṇa), Rejection (Apāna), Assimilation (Samāna), Distribution (Vyāna), and Utterance (Udāna). The Prāṇa represents the involuntary reflex action of the organism and the Indriya one aspect of its voluntary activity.

In the case of the individualized Prāṇa, or principle which vitalizes the animal organism during its earth life, it may be said, when regarded as an independent principle, to be a force more subtle than that which manifests as terrestrial matter which it vitalizes. In other words, according to this theory, the Ātma gives life to the earth organism through the medium of terrestrial Prāṇa, which is one of the manifestations of that Energy which issues from and is at base the all-pervading Ātma, as Śakti.


References:
  1. Grimes, John (1996). A Concise Dictionary of Indian Philosophy: Sanskrit Terms Defined in English. Albany: State University of New York Press
  2. Avalon, Arthur (1950). The Serpent Power: Being the Shat-Chakra-Nirūpana and Pādukā-Panchakā. Adyar, Madras: Ganesh & Co. (Madras) Ltd. p. 54-78.